Música y Estado en Costa Rica (1845-1942)
Fecha
1996-07-01
Autores
Vargas Cullell, María Clara
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Editor
Editorial Universidad Nacional
Resumen
Se analiza la función que el Estado costarricense otorgó a la música en la segunda mitad del siglo XIX y la primera del siglo XX.
La música ha asumido funciones de apoyo a ceremonias solemnes, políticas, sociales y religiosas, así comoen en actividades de diversión (conciertos, turnos, retretas, serenatas, bailes), en el teatro y en actividades como las proyecciones cinematográficas y audiciones fonográficas.
La música tenía un papel funcional y se caractiza por modificar la sensibilidad y el comportamiento humano. Así como un papel de estimulante de papel patriótico.
he role that the Costa Rican State granted to music in the second half of the 19th century and the first half of the 20th century is analyzed. Music has assumed functions of support to solemn, political, social and religious ceremonies, as well as in fun activities (concerts, shifts, retreats, serenades, dances), in the theater and in activities such as cinematographic projections and phonographic auditions. Music had a functional role and is characterized by modifying human sensitivity and behavior. As well as a patriotic role stimulating role.
he role that the Costa Rican State granted to music in the second half of the 19th century and the first half of the 20th century is analyzed. Music has assumed functions of support to solemn, political, social and religious ceremonies, as well as in fun activities (concerts, shifts, retreats, serenades, dances), in the theater and in activities such as cinematographic projections and phonographic auditions. Music had a functional role and is characterized by modifying human sensitivity and behavior. As well as a patriotic role stimulating role.
Descripción
Palabras clave
COSTA RICA, ESTADO, MÚSICA, SIGLO XIX, HISTORIA, CULTURA, HISTORY, CULTURE, MUSIC, STATE