Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)

dc.contributor.author	Singer González, Deborah
dc.date.accessioned	2022-02-18T20:15:41Z
dc.date.available	2022-02-18T20:15:41Z
dc.date.issued	2019
dc.description.abstract	This article problematizes the notion of ethnicity underlying villancicos de negros of the Archdiocesan Historical Archive of Guatemala (AHAG). Although these are musical pieces that project the idea of social harmony in a festive context, the truth is that identities emerge in conflict with colonial power, based on an ambivalent discourse that consolidates and naturalizes racial stereotypes.	es_ES
dc.description.procedence	Escuela de Historia	es_ES
dc.identifier.issn	1012-9790
dc.identifier.uri	http://hdl.handle.net/11056/22632
dc.language.iso	eng	es_ES
dc.publisher	Universidad Nacional	es_ES
dc.rights	Acceso abierto	es_ES
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.subject	MÚSICA COLONIAL	es_ES
dc.subject	CATEDRAL DE SANTIAGO DE CHILE	es_ES
dc.subject	SUBALTERNITY	es_ES
dc.subject	ETHNICITY	es_ES
dc.subject	COLONIAL MUSIC	es_ES
dc.subject	VILLANCICOS	es_ES
dc.subject	NEGROS	es_ES
dc.subject	CHRISTMAS CAROLS	es_ES
dc.subject	BLACK RACE	es_ES
dc.subject	ETNIA	es_ES
dc.title	Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)	es_ES
dc.type	http://purl.org/coar/resource_type/c_6501	es_ES

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