"Diversión brillante y útil". Documentos para la historia del teatro en la Centroamérica del Siglo XIX
Fecha
1994-01-01
Autores
Molina Jiménez, Iván
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Editor
Editorial Universidad Nacional
Resumen
La orientación actual de la investigación histórica se afana por conceptuar el teatro en un contexto diverso: el de las diversiones públicas y la vida cotidiana; sus audiencias de expectadores socialmente diferenciadas; el de la cultura, con sus corrientes estéticas y modas temáticas; y el del poder, con su censura, vigilancia, privilegios y beneficios. El propósito es descifrar la compleja urdimbre de las prácticas escénicas: a parte de entretener, trazan modelos de conducta; difudoras ideológicas por excelencia, convierten el escenarioy la sala en espacios para jugar la hegemomía.
The current orientation of historical research strives to conceptualize theater in a diverse context: that of public entertainment and everyday life; its socially differentiated audiences of spectators; that of culture, with its aesthetic trends and thematic fashions; and that of power, with its censorship, surveillance, privileges and benefits. The purpose is to decipher the complex fabric of scenic practices: apart from entertaining, they draw models of behavior; Ideological diffusers par excellence, they turn the stage and the room into spaces to play hegemomy.
The current orientation of historical research strives to conceptualize theater in a diverse context: that of public entertainment and everyday life; its socially differentiated audiences of spectators; that of culture, with its aesthetic trends and thematic fashions; and that of power, with its censorship, surveillance, privileges and benefits. The purpose is to decipher the complex fabric of scenic practices: apart from entertaining, they draw models of behavior; Ideological diffusers par excellence, they turn the stage and the room into spaces to play hegemomy.
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Palabras clave
SIGLO XIX, CULTURA, CULTURE, CENTRAL AMERICA, AMÉRICA CENTRAL, HISTORIA, HISTORY, TEATRO, THEATER