Tradición oral en el Imperio de los Incas Historia, religión y teatro
Fecha
1992-01-01
Autores
Fonseca C., Elizabeth
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Editor
Editorial Universidad Nacional
Resumen
Análisis de la obra "Tradición oral en el Imperio de los Incas. Historia, religión y teatro", de Georgina Meneses. Señala que la autora propone levantar nuestro orgullo de pueblos mestizos, que es una tarea indispensable para detener el colonialismo cultural, pues "...desde la cuna, generación tras generación, nos amasaron el cerebro con dedos llenos de desprecio por lo auténticamente americano, por lo nuestro, por nuestra parte india que a todo trance nos empujaron a negar con vergüenza". Rescata la tradición mágica, social, mística y religiosa en la parte teatral.
Analysis of the work "Oral Tradition in the Empire of the Incas. History, religion and theater", by Georgina Meneses. It points out that the author proposes to raise our pride of mestizo peoples, which is an indispensable task to stop cultural colonialism, because "... from the cradle, generation after generation, they kneaded our brains with fingers full of contempt for the authentically American, for ours, for our Indian part that at all costs they pushed us to deny with shame ". Rescue the magical, social, mystical and religious tradition in the theatrical part.
Analysis of the work "Oral Tradition in the Empire of the Incas. History, religion and theater", by Georgina Meneses. It points out that the author proposes to raise our pride of mestizo peoples, which is an indispensable task to stop cultural colonialism, because "... from the cradle, generation after generation, they kneaded our brains with fingers full of contempt for the authentically American, for ours, for our Indian part that at all costs they pushed us to deny with shame ". Rescue the magical, social, mystical and religious tradition in the theatrical part.
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Palabras clave
TRADICIÓN ORAL, ORAL TRADITION, INCAS, CULTURAS INDIGENAS, INDIGENOUS CULTURES, COSTUMBRES Y TRADICIONES, CUSTOMS AND TRADITIONS