Vorágine urbana, sinopsis de una cotidianidad fragmentada. Reseña de la obra de Claudio Corrales Quesada
Date
2017-11-30
Authors
Calvo Díaz, Andrea
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad Autónoma de México
Abstract
Ruido, sofocación y tumulto son algunos elementos
sensoriales de la propuesta visual del artista costarricense Claudio Corrales Quesada (1983). Resulta
claro que su conceptualización de la urbanidad deviene de un mundo alterado que se muestra a través
de recursos estilizados y fragmentados de la cotidianidad; para eso, el gestor visual retoma discursos de
transgresión, tras miradas opacas y cansadas de un
continuo tráfico de modificaciones urbanas.
Noise, suffocation and turmoil are some of the sensorial elements of the visual of the visual proposal of Costa Rican artist Claudio Corrales Quesada (1983). It is It is clear that his conceptualization of urbanity derives from an altered world that is shown through stylized and fragmented stylized and fragmented resources of everyday life; for that, the visual manager retakes discourses of transgression, behind oppressive glances and transgression, after opaque looks and tired of a continuous traffic of urban modification continuous traffic of urban modifications.
Noise, suffocation and turmoil are some of the sensorial elements of the visual of the visual proposal of Costa Rican artist Claudio Corrales Quesada (1983). It is It is clear that his conceptualization of urbanity derives from an altered world that is shown through stylized and fragmented stylized and fragmented resources of everyday life; for that, the visual manager retakes discourses of transgression, behind oppressive glances and transgression, after opaque looks and tired of a continuous traffic of urban modification continuous traffic of urban modifications.
Description
Arte y Diseño
Keywords
RESEÑA, COTIDIANIDAD, ARTE, COSTA RICA, REVIEW, QUOTIDIANITY, ART